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You know the old
saying, ‘Never judge a book by its cover?’
Sometimes this saying works for me. To be
honest, more often than not, I find it correct -
the worst examples of these are usually books
from the small independent presses – books which
are more energy and enthusiasm than talent.
However, every now and then, sometimes a book
you start reading becomes better than you
expect. A book which, despite your expectations,
goes against the norm.
Such is the book Lords of Terror,
written by Allan Cole and Nick Perumov.
One of those names should sound a little
familiar to you – if you’ve read any of the
STEN SF novels by Chris Bunch and Allan
Cole, then you may be impressed to know that
this is THAT Allan Cole.
However, this is a new venture – a
collaboration between Allan and newcomer Nick
Perumov, a Russian from Saint Petersburg, (now
North Carolina) voted Best European author at
EuroCon in 2004. In other words, in the spirit
of detente, this is a book where East meets
West.
The story starts in the 30th century. The
Cold War of the 1950’s between Russia and the
USA was restarted following the joint
assassination of George Bush and Vladimir Putin
at the 2004 Olympics, and has therefore been
deepening for about a century.
Moreover the world is now run by the use of
demons, fiends, devils and sprites – gremlins
who now run everyday tasks such as lighting,
heating, computers and transport. Indeed, the
Navigation Spirits, Control Brownies, Engine
Devils and Supply Goblins pretty much run
everything and are taken for granted by humans
(or ‘softskins’).
Spirits and the mundane are ingeniously
combined. Weapons, for example, can not only
contain explosive but also DeathSprites, so that
if the explosion doesn’t kill you, then the
DeathSprites take your soul away to the
NetherWorld.
At the same time, the deepening of the Cold
War has both expanded into space and calcified
ideologically. Strict lines between the US
(‘Amer’s) and the Russians (‘Rooskies’) are
maintained, though there is a relatively
consistent state of peace.
Behind the lines, the situations are
monitored and perhaps manipulated by secret
societies. On the Russian side, The Order of the
Dragon – whose Russian soldiers, the Brown
Bears, deal with issues without complaint or
question, working on behalf of this secret cabal
in keeping the fragile peace/stalemate. On the
US side there is the Odysseus Corps, also
counteracting against the Order of the Dragon.
The United Worlds Police are a form of galactic
United Nations, who try and act as an
independent between the two factions.
The story becomes complicated when a space
cruiseliner, filled with honeymooning (and
mainly American) couples is destroyed by the
Russian military on the edge of the Frontier
Zone, where their monitors registered it as a
military vessel.
Both sides see the incident as a means of
igniting war. The surviving Engine Driver from
the cruiseliner, called Old Scratch, cannot
explain why it was seen as anything other as a
peaceful vessel. Consequently, both sides send
in two of their best operatives, Davyd Kells and
Vlad Projogin (hunky, presumably handsome,
gladiatorial assassins) to investigate. Tanya
Lawson (attractive, blonde, female) is sent in
as a Master Investigator for the United Worlds
Police (UWP) to try and independently assess the
situation.
Also in the mix are the Master Wizards of
Special Services, whose job is to maintain the
roles between softskins and The Fiendish Worlds.
Their leader, Daniel Carvaserin, and his brother
Brand, also want to get to the bottom of the
matter. For there are signs that wider issues
and other powerful forces are at work, and the
mysterious Council of Eight.
So what does this collaboration mean? It is
interesting to see how US and Russian viewpoints
mix in this novel. The two writers do something
you hope to see when writers collaborate, in
that the finished story is more than something
that could’ve been created singly. It is an
interesting attempt to mix two ideological views
as well as elements of science fiction and
fantasy.
With that in mind, there are parts of the
book that worked really well for me and other
parts less so. The backstory about using sprite
power and how life can be run by gremlins was
amusing – I now look at my computer in a
different light! - so too, the other world where
the demons live, which seems to sound rather
like Callahan’s Crosstime Saloon or Mos Eisley
Cantina. The character of Old Scratchy is well
done, even when he is prone to quoting Rudyard
Kipling. The dissent between the two opposing
views was quite prescient if you look at the
contemporary events of today, though I did find
it a little difficult to believe that a war
going on for a thousand years or so could be
stopped as quickly as this one.
On the negative side, the romance that occurs
between some of the characters was a little
strained for me, though I guess in situations
where you know another person’ thoughts
relationships are different. The ten-year-old
survivor of the cruiser disaster, Billy Ivanov,
is both a wide-eyed innocent and far too knowing
for a child of ten for my liking.
Parts of the plot were a little overused. I
did get a little weary about how many times I
was told that Tanya was attractive (yet
strangely aloof). Other parts and characters
were strangely less used than expected – more on
the technical wizards would have been
interesting, as the book stands they are used
briefly then pretty much discarded for the rest
of the book.
It is not a book that causes you to think too
deeply, it is not a book that questions intently
the morality of warfare, religion or the people
acting on a justified cause, though these are
touched on; but it was entertaining, engaging
and a good page-turner.
My immediate thought on finishing the book
was that the book deserved a wider audience.
Though there are controversies – any book which
has mention of political assassination,
religious uprising and differences in political
and religious ideologies these days is bound to
not sit well with some readers – I still felt
that it was an entertaining and worthwhile read,
and though with weaknesses better than many out
there, published by bigger publishers.
For those readers who enjoy stories of
military action, space warfare, technothrillers,
secret societies and political machinations with
a slice of magic realism thrown in, then this
might be one for you. Though perhaps not
groundbreaking in terms of style or depth, the
collaboration is intriguing, and therefore
deserves to be read by a more extensive
audience.
With that in mind, recommended.
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